FIGURES IN THE RECORDING INDUSTRY

• Steve Shapiro, “Dan Des Foldes, Director, Victor Foreign Department, ca. 1924-1940: Impressions and Directions for Further Research”
• David N. Lewis, "‘Carry Your Cross with a Smile:’ Homer Rodeheaver, Rainbow Records and the Birth of the Gospel Recording Industry”
• Tommy Sjöberg, “Gordon Tracie as Record Producer.”
  

PROJECT REPORTS

• Peter Hirsch, “80000 LPs times 1122 miles: The Wilson Processing Project & OCLC take on NYPL’s Uncataloged Vinyl”
• David Seubert and Noah Pollaczek, “From the Handcrank to the Hyperlink: Technical Means and Technological Methods of the UCSB Cylinder Digitization Project”
• Michael Tarabulski and Lewis Ricci, “Many Sides of Hamp: Cuts from the Glad-Hamp Reformatting Project”

DISCOGRAPHY

• David Seubert and Sam Brylawski, “The Encyclopedic Discography of Victor Recordings Redux”
• Tore Simonsen, “Creating a Discography of Classical Music”
• Noal Cohen, “Progress and Problems in Modern-Day Jazz Discography”

FIELD/DOCUMENTARY RECORDINGS

• John Maniatis, “A Fuller Perspective of the Pacific: Opening an Audio Portal into the Field Museum’s A. W. F. Fuller Ethnographic Collection”
• Colby Leider and Kristine H. Burns, “Practical and Aesthetic Considerations of Multichannel Field Recording: A Case Study”
• Marie Azile O’Connell, “The In’s and Out’s of Making a Good Oral History”

EMERGING FORMS AND GENRES

• Helice Koffler, “‘It’s the Going Home Together’: The Golden Apple and the Development of the Cast Album in the Mid-1950s”
• Jonathan Ward, “Corporate Utopias: The Hidden History of the Industrial Musical on Record”
• Cary Ginell, “Elektra Records and the Development of Album Cover Art (1951-1970)”

SOUND RECORDING AND POLITICS

• John Powers and Maura Porter, “Voices in the Oval Office: The Secret Presidential Tapes Collection”
• Lewis Mazanti, “Saving the Unique Sounds of American Political Campaigning”
• Roberta Freund Schwartz, “‘Unintelligible at Any Speed’: ‘Louie, Louie,’ the FBI, and the Pacific Northwest”

RECORDINGS AROUND THE WORLD

• Christopher A. Miller, “From Burma to Myanmar: Audio Journeys through a Southeast Asian Nation in Context”
• Tôru Mitsui, “Why was the Fourth Bar Sung in 4/4—This Tune is in 3/4 Time!”

PERFORMERS AND COMPOSERS

• Dorottya Fabian, “The Recordings of Joachim, Sarasate and Ysaÿe in light of their reception by Nineteenth-century British Critics”
• Donald Manildi, “The Buddha of the Keyboard: Transcendental Execution in the Recorded Legacy of Leopold Godowsky”
• Dennis D. Rooney, “Milton Kaye—New York Pianist”

PRACTICES

• Lars Meyer and Kate Murray, “Sound Recording Workflow and Metadata at Emory University Libraries”
• Ava Lawrence, “Licensing in the Music Industry”
• Gayle Palmer, “Grant Funding Strategies for Sound Collections”

PROJECT REPORT FROM ENGLAND

• David Patmore, “CHARM (Centre for the History and Analysis of Recorded Music): Objectives and Progress Report”

MEMORIAL TRIBUTE

• Seth B. Winner and Dennis D. Rooney, “Memorial Tribute to Engineer Anthony C. Griffith (1915-2005)”

CONDUCTORS

• Ayden Adler, “Master of the Media: Arthur Fiedler on Radio and Recordings”
• Gary Galo, “Toscanini and the Mendelssohn Reformation Symphony”

COPYRIGHT AND FAIR USE

• David Levine on the Naxos decision
• Peter McDonald, “New Business Model for Archive-Industry Collaboration”

NEW TECHNOLOGIES

• Michael Frishkopf, “MuDoc: A New Model for Digital Music Archiving and Retrieval”
• Joerg Houpert and Jerome Luepkes, “Dobbin: New Techniques in Audio Mass Processing”
• Seth Winner: Demonstration of the CEDAR/SADIE Retouch plug-in

ARTFUL USES OF SOUND RECORDING

• Rob Haskins, “Revisiting John Cage and Recorded Sound”
• Leah Biel and Mike Biel, “Strange To Your Ears—A History of Manipulating Pitch, Timbre, and Time in Sound Recordings.”

POPULAR MUSIC

• Robert M. Marovich, “Gospel Music as Story: The Life and Work of Otis Jackson”
• Mark Hoffman, “Blues and the Power of Myth: Ten True Tales about the Big, Bad Wolf”
• Craig Morrison, “The Northwest Sound: Recordings, Marketplace, and Memory”

Concert

• The Buttersprites